The very first line I ever heard Woody Allen speak was a joke on the Tonight show concerning theological issues, about how, during a divinity test, he cheated by “looking into the soul of the girl sitting next to me.” I believe that he used a clip from such a stand up routine in one of his films, perhaps Annie Hall. I honestly don’t remember. For decades, Woody has intertwined several basic themes: love and its yearnings. Faith. Talent and success. Human evil and the absence of God in the universe. And he does that thing that humor does: takes pain and fear, turns them inside out and makes us laugh. But behind the laughter has always been an extraordinarily keen mind and a troubled spirit.
Most of us agree that his marriage to his own step-daughter was a sign of a damaged psyche. Of course, he’d been warning us for decades that he was damaged goods, hadn’t he? It wasn’t until “Bullets Over Broadway” in which a murderous hit-man is revealed as a theatrical genius, did it finally hit me that he was obsessed with the question of why evil is not punished in the universe. Why, in fact, success seems to have no connection to the purity of the soul.
In “Crimes and Misdemeaners” he went further, encouraging us to empathize with a man capable of a terrible act…but that film sat on the fence, allowing us to argue about the right and wrong of things, rather than focusing us on the core question which has obviously chewed at his heart and mind since childhood.
No such mistake in “Match Point.” In this film, which I consider one of his very best ever, he tells the story of a social-climbing tennis pro (Jonathan Rhys Meyers) who marries the boss’s daughter (Chloe Hewett Wilton) while harboring a passion for his future sister-in-law (Scarlett Johanssen). The bedroom farce takes a rather dark turn (to say the least), leading to an action which very few people could find other than utterly reprehensible on every conceivable level. And to a diabolically clever ending. The theme, announced from the very beginning is that few of us want to face the fact that so much of life is based on luck. Specifically, luck as opposed to merit.
But to skip over all further plot details to address this theme, I think it’s something of an Easter Egg. Look deeper, and the question is not merely one of luck, but one that asks: “Is there a God in the Universe? If so, what is His nature, and why is he silent?”
I can’t help but think that Woody is asking the wrong question. If, as I suspect, on one level he believes human beings are shallow and evil, and that he himself has achieved massive wealth and fame while deeply flawed and (he suspects) evil in his personal life, then where is the justice in the universe.
First of all, with this film, I found myself believing that Allen is a good man. Flawed, but good. The nature of the questions he has been asking his entire life, as opposed to what we know of his personal life, leads me to think him damaged but not damned. Just a personal opinion.
Secondly, I think that the key is not in “why are the wicked not punished” but the question “what is the nature of a good, successful life”? He has taken a perfectly reasonable approach: a beautiful spouse, wealth, health, public acclaim are a good life. That evil men and women can achieve this must be deeply troubling to him.
And troubles me not at all. It is possible of course that it is MY philosophy that is shallow, and his that cuts deep. I won’t be self-congratulatory, or dogmatic enough to pat myself on the back, but I must stake out a position.
So here it is. I think that external measurements of success are wonderful, but ultimately satisfying only if they match our internal values. And from the cradle, we crave connection to love, to warmth, to that total acceptance we felt from our mothers, in the womb if nowhere else. And that this craving is totally unconscious, and that we spend the rest of our lives attempting to regain it.
When we sense that our own values and actions could be replicated by the entire world, to its benefit, I think that there is a sense of peace that simply cannot be put into words, a state of grace, of joy that those who have not experienced simply cannot believe in